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drumbeat on the sound made when a drum is hit. One of the most powerful orchestral effects is the combination of the bass drum roll (especially as a crescendo) and an fff cymbal crash.Fly in the water. The bass drum’s single strokes in combination with a cymbal crash can sound majestic and solemn (the same is true of the gong and the tam-tam). by striking the rim of the cymbal only or striking the cymbal with a stick etc.
At certain dynamic levels and in certain playing techniques the combination of bass drum and cymbals is quite capable of creating subtle effects rich in nuances, e.g. In the orchestra this practice is usually followed only in marches or waltzes or to suggest a military atmosphere. For this type of music the cymbal is often mounted on the shell of the bass drum. This combination remains the foundation of western brass band music today. Since Janissary music the bass drum has had the function of providing the rhythm in marching music together with the cymbals. In this instance the timpani notes are often played an octave higher. On occasions the bass drum either replaces or reinforces the lowest notes of the D timpani, because in this register the loosely tensioned timpani head sounds dull while the drum sounds lively and energetic.
The bass drum’s function in the orchestra is by no means limited to accentuating the beat apart from rolls it can also perform complex rhythmic figures. The drum group is often complemented by the timpani. The snare drum adds brightness and performs mostly rhythmic figures, while the dark and somber tenor drum plays rolls. Within the drum group, the bass drum, with its deep, dark timbre supplies the bass voice, providing a rhythmic and tonal foundation with its single strokes.
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